--- title: "Film credits generator" url: https://postproduction.studio/en/tools/credits-generator language: en description: "Build your film credits: roles in the usual French or US order, editable rows, scrolling end crawl preview, text and CSV export, common mandatory mentions." updated: 2026-10-25 --- # Film credits generator Fill in roles and names, reorder rows, pick the label language and preview the end crawl. Export plain text and CSV for your title designer. Ordering conventionLabel languageShow empty roles in preview One name per line. A label containing {names} is rendered on one line (e.g. “a film by {names}”). Empty label = free text line. ## End crawl preview Directed by Camille Laurent Written by Camille Laurent Hugo Mercier Produced by Sarah Benali Starring Léa Fontaine Karim Haddad Julien Morel Director of Photography Inès Garnier Production Designer Marc Delorme Edited by Thomas Roux Music by Nora Weiss Costume Designer Élise Vidal Casting by Agathe Moreau Cast Claire Léa Fontaine Marc Karim Haddad Inès Julien Morel Production Camera & Lighting Sound Art Department Costume, Makeup & Hair Post-production Music “Song title” Written by [authors] Performed by [artist] Courtesy of [label / publisher] Legal © [year] [Production company]. All Rights Reserved. [Disclaimer, anti-piracy notice, rating certificate number if applicable] ## Opening title cards Example Distribution presents a Example Films production a film by Camille Laurent Starring Léa Fontaine Karim Haddad Julien Morel TITLE OF THE FILM Casting by Agathe Moreau Music by Nora Weiss Costume Designer Élise Vidal Edited by Thomas Roux Production Designer Marc Delorme Director of Photography Inès Garnier Produced by Sarah Benali Written by Camille Laurent Hugo Mercier Directed by Camille Laurent 14 cards, in order of appearance. ## Estimated crawl length Line height (px, 1080p)Speed (px/frame)fps 0:55 ≈ 64 text lines. Rough estimate: (lines × line height + 1080 px) ÷ (speed × fps). A whole number of pixels per frame helps avoid judder. ## Mentions to check The presets reflect common practice, not a rule. Order, placement and size of credits are often set by contracts (cast, writers, director, co-producers, financiers): when in doubt, the contract prevails and your legal counsel decides. ### French films * Visa d'exploitation: a film released in French cinemas needs an exhibition visa (visa d'exploitation); its number is commonly shown at the end of the credits. Check expectations with your distributor. * CNC, regions, SOFICAs, broadcasters: funding agreements usually specify the wording (“avec la participation de…”, “avec le soutien de…”), the logo and its placement. Copy the exact wording from each agreement. * Music: for each existing track, the sync licence (publisher) and master licence (record label) usually define the credit: title, writers, performer, “avec l'aimable autorisation de” (courtesy of). * False friend: in France, “producteur exécutif” often means the company or person carrying out the production (close to a line producer), whereas a US “executive producer” is mostly a financing or oversight credit. * Copyright: “© [year] [production company] – Tous droits réservés” is the usual line. ### US / international films * On productions under guild agreements (DGA, WGA, SAG-AFTRA), director, writer and performer credits follow those agreements. Under WGA rules, for example, “&” joins a writing team while “and” separates writers who worked independently. * MPA rating: rated films commonly show the rating block and certificate number in the end credits. * Copyright notice, fictitious-characters disclaimer and anti-piracy warning are common practice; E&O insurers often ask for the disclaimer. * Logos (sound formats, unions, software): only as allowed by the relevant licences or agreements. The “No animals were harmed” credit is reserved for productions monitored and certified by American Humane. * Legibility: keep text inside title-safe and avoid very thin strokes that flicker when crawling. ## Related tools [Safe areas visualizer Title/action safe areas overlay.](https://postproduction.studio/en/tools/safe-areas)[DCP naming generator Build DCNC-compliant DCP filenames.](https://postproduction.studio/en/tools/dcp-naming)[Platform specs Netflix, Disney+, broadcast delivery specs.](https://postproduction.studio/en/tools/platform-specs) ## About this tool The film credits generator helps you draft the opening titles and the end crawl of a film. It starts from two presets: a US / international convention, where the opening cards run in ascending order of importance from the distributor and production company to the director, and a French convention, with a short opening and the main credits as cards at the start of the end credits, followed by the cast list, the crew by department, music, thanks, financial partners and legal lines. Every row is editable: rename a role, type one name per line, move rows up or down, delete them or add roles and section headings. Role labels switch between English and French, and a label containing {names} is rendered on a single line, as in “a film by {names}”. The preview shows the opening cards and a scrollable or animated end crawl, and a helper estimates the crawl length from line height, speed and frame rate. Export the result as plain text or CSV for the title designer. A checklist recalls common mentions to verify, such as the visa number, funders' wording and music licences, phrased as common practice: contracts and guild agreements always prevail. ### How to use it 1. Pick the ordering convention (French or US / international) and load the preset. 2. Choose the language of the role labels and fill in the names, one per line. 3. Reorder, rename, delete or add rows and section headings in the opening and end credits tabs. 4. Check the opening cards and play the end crawl preview; adjust line height, speed and frame rate to estimate its length. 5. Copy the text or download the .txt and .csv files, then check every mention against your contracts. ### Frequently asked questions What is the usual order of opening credits on an American film? A common order is: distributor presents, production company, possessory credit (“a film by”), main cast, title, then casting, music, costume design, editor, production design, director of photography, executive producers, producers, writers and, last, the director. On union productions the guild agreements and individual contracts govern placement, so treat this as a starting point. Is the visa number mandatory in French credits? Films released in French cinemas must obtain a visa d'exploitation, and its number is commonly displayed at the end of the credits. The tool lists it as common practice; confirm the exact requirements with your distributor or legal counsel. How should music be credited? Each existing track is usually credited with its title, writers, performer and the rights holders, using wording such as “courtesy of” or « avec l'aimable autorisation de ». The exact credit is normally specified in the sync licence from the publisher and the master licence from the record label. Does “producteur exécutif” mean executive producer? Not exactly. In France the producteur exécutif is often the company or person carrying out the production, closer to a line producer or service producer, whereas a US executive producer is mostly a financing or oversight credit. Choose the label that matches the actual role. How long should an end crawl last? It depends on the number of lines, the type size and the crawl speed. The estimator divides the total height (lines × line height plus one screen) by the speed in pixels per frame times the frame rate. Using a whole number of pixels per frame helps avoid judder. ### Glossary terms * [Deliverables](https://postproduction.studio/en/glossary/deliverables) * [Festival master](https://postproduction.studio/en/glossary/festival-master) * [DCP](https://postproduction.studio/en/glossary/dcp) * [Mastering](https://postproduction.studio/en/glossary/mastering) * [Versioning](https://postproduction.studio/en/glossary/versioning) * [QC (Quality Control)](https://postproduction.studio/en/glossary/qc-quality-control) ### Further reading * [Roles and specializations in post-production](https://postproduction.studio/en/fundamentals/professions) * [Finishing workflow: from grade to masters](https://postproduction.studio/en/workflows/finishing-workflow) * [The DCP: digital cinema delivery explained](https://postproduction.studio/en/formats/dcp-delivery) * [Standards and compliance in post-production](https://postproduction.studio/en/fundamentals/standards-and-compliance)